hirez: More graf. Same place as the other one. (posing)
Oh. Yeah. The other thing.

Since I'm from the time before fashionable trousers and every electronic device in the home having a 1G ethernet port and IPv6, it's only just become apparent that actually I need to be able to run data from the fileserver into the back of the downstairs amplifier because not all the things I wish to listen to originated on silver beermat. Indeed some of them are 'gram-o-phone' 'records' which is even more of a data-translation problem.

The answer's going to be a Pi or a Beaglebone-Black, isn't it?
hirez: More graf. Same place as the other one. (Q-309)
[ Antipeel because he was of the opinion that you shouldn't try to analyse why you like a record. ]
[ Note that I am probably talking complete shite here. ]

For the first time in for-fucking-ever I was subjected to a lot of MeTaL through a decent PA at the weekend. Thus, unlike all previous occasions, I could actually hear what was going on, and since I was the far side of a welcome pint of 6X I was really quite pleased with the entire experience and began to wonder what it was about certain tracks over others that I preferred. I still have no particular idea, and I have a set of (entirely subjective) observations and more questions than I started out with.

The first thing I thought was that the massive headrush and idiot grin that is a feature upon hearing some massive filter-swept eurotrance belter kicking an arpeggiator to death (I don't know, something like the Spicelab mix of Thunderdome) is missing from my MeTaL experience. Perhaps that is just me? I don't know.

Obviously it seemed a bit one-dimensional to assume that rush is missing for everyone, although I guess it's a possibility that the rush is just a memory of, er, alleged ceremonial chemicals.

This started me wondering if there were any MeTaL(ish) records that would have a similar effect. There are: 'Whole lot of Rosie' & 'I want everything' spring to mind. Massive guitar riffs that spend most of their time nailed to the beat rather than having it all widdle. And a big handful of phaser. (I think 'Let's go crazy' also fits in to this, but I have no way of checking and have to go by memory.)

So I guess the main question is what the bloody hell am I talking about?

I would also mention that one track came off like Tack>>head having it proper dubstep (not the bloody Skrillex version) and sounded bloody marvellous. Lord alone knows what it was, mind. Not even slightly INDUSTRAIL(tm) thankfully.
hirez: More graf. Same place as the other one. (Pie!)
Sunday lunchtime - realise that I can't quite read the Obs colour section because of approaching kalideoscope greenhouse. Swear lots, because no more imigran, and jam fingers firmly into right-hand side of neck per instructions from Brian the Massage.

Since reading's going to be off-limits for the next day, haul gramophone from shelf, dig out Dual service manual, find replacement belt in Germany and order same.

Reading still off-limits. Remember that there's a bag of Sevilles in the larder since there was a box at the farm-shop looking somewhat unloved. Hack, simmer, sugar, boil, napalm, bang into jars. Sorted. This lot's got less sugar in, which may or may not be a good idea, but it seems that there's more depth to the taste.

Realise it's five hours later and my head still doesn't hurt. I think we'll call that a result. (Also new spectacles, as expected, at ££. They will arrive next week.)

Peelism!

Dec. 27th, 2011 05:05 pm
hirez: (Object)
http://www.bbc.co.uk/i/b018fljy/

The narrator's a bit um, yes, well and one can't help wondering what the programme might have been like were it narrated by someone who discovered Peel in oh, I don't know, 1982, but there we are.

Ding-dong!

Sep. 6th, 2011 10:09 pm
hirez: More graf. Same place as the other one. (psyche-out (ii))
</Leslie Phillips>

The counselling-chap that I have been seeing of late has a moderately standard (Standard? Isn't it.) wireless doorbell that has been reminding me of something. Although it's a something I've forgotten the next time I pass the bell-push because my head's generally a whirl (in the 'crockery in a spin-dryer' sense) of new and old information trying to reach escape velocity and exit my head through my ears.

This evening, I worked out what it reminds me of - the intro to Radiohead's 'No surprises'. Which is probably apposite, given the circumstances.
hirez: More graf. Same place as the other one. (safety chicken)
On the internet wireless right now: Tom Ravenscroft playing records at the wrong speed.

:D
hirez: (Cooper-Clarke)
I are recently discovered quite a large pile of Peel programmes on that there internets. This is a happy thing, but made me wonder about stick-waving at young people and the inevitable hatefulness of modern music.

I don't actually think that whatever-it-is that scratchy indie combos or people prodding at cheap synths on the kitchen table are calling music these days is utter pish. Although landfill-(schm)indie didn't help, and given modern modes of living, there is no kitchen table.

However, I think I'm missing a decent curator. It seems obvious to me that the combo of the NME and Peelie had a massive influence on what I care(d) to listen to. No-one else is going to get the job quite right, so I'm going to be sitting there thinking 'Christ this stuff's all hateful. I'm going to dig out the DJ Scandy CD instead.' Also, when I were a lad, we didn't have the internet and the telly was shite (and I lived in the middle of nowhere, etc) so stopping in and listening to the wireless most weekday evenings was a sensible entertainment option.

I may well have written one of these every year.

I suspect so, in fact.

Bugger.
hirez: (Trouble with my worms (i))
Started as a thing for uncyclopedia, but sod them frankly )
hirez: More graf. Same place as the other one. (Happy cycling)
That was, um, fun.

In the same way that charging up Helvellyn (and a set of others I can't remember) during a Youth Hostelling week a very long time ago (the same week that South Georgia was occupied) was fun. Not at the time, but about thirty seconds after you stop.

Did not come last. (Round in 4:18) Wiltshire is very nice at this time of year. Have spectacularly sunburned knees.
hirez: (Challenger)
Warmed up Mopar ironmongery + Ver Crue + bad behaviour = Reminded of [livejournal.com profile] miss_soap for no obvious reason.
hirez: (Cooper-Clarke)
A quiet week or so there. I'm not sure why.

Anyway. Months ago, I gibbered randomly about the various bits of DCL (Locomotive) / The Cravats / The Very Things cluttering up MySpac and how very good the upcoming Cravats/Paul Hartnoll single might be. It was finally released at the tail end of last month, and it is very good indeed. Available from all good online retailers and most crap ones. Corking.

(As is the 2xCD Cravats retrospective, which is a somewhat more uncompromising jazz-punk racket that leans toward the B-movie psychobilly of The Very Things as the discs progress. Bostin.)

Also in the post, tickets for the Last Chaos Engine Gig Ever Honest Guv via the splendid Charlie. And free taunting. Pontrilas.
hirez: (Challenger)
One should be able to travel anonymously.

Anyway. A couple of hundred miles, coffee, Kraftwerk up loud and not blinking between the Reading and Hungerford junctions on the way back.

That was fun. I usually come away from driving a quivering heap, unfit for human company. I don't know what's changed.

Neither do I know who brewed the vegan fruit cake/loaf. Very fine indeed. Want more pie.

In between going out and meeting splendid people, I've been watching parts of 'The Mayfair Set', a documentary by Adam Curtis. It's utterly marvellous stuff that fills in all sorts of odd blanks tangentially referred to in PE from time to time.

It struck me on the way back that visiting grandfather's farm, where there was mud, tractors and swearing, was the most fun I could imagine having when I was eight or ten. I'm not sure if that's good or bad. It was the meringues that reminded me. (Tangentially, again.)
hirez: (Challenger)
[Grams: Peelie from 2002, provided by the Outer Usenet]

May 2025

S M T W T F S
    123
45678910
11121314151617
18192021222324
2526272829 3031

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Mar. 22nd, 2026 07:03 am
Powered by Dreamwidth Studios